{"id":41806,"date":"2017-06-09T10:16:17","date_gmt":"2017-06-09T07:16:17","guid":{"rendered":"https:\/\/new.azbuki.bg\/bulgarian\/bel2016-2\/3-lix-2017\/"},"modified":"2019-06-24T17:31:16","modified_gmt":"2019-06-24T14:31:16","slug":"3-lix-2017","status":"publish","type":"post","link":"https:\/\/strategies.azbuki.bg\/en\/bulgarian\/bel2017\/3-lix-2017\/","title":{"rendered":"Bulgarian Language and Literature, issue 3\/2017, Volume 59"},"content":{"rendered":"

<\/a>CONTENTS\/\u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415<\/strong><\/p>\n

LITERATURE SCIENCE \/ \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u041e\u0417\u041d\u0410\u041d\u0418\u0415<\/strong>
\u0422\u0435\u0430\u0442\u044a\u0440\u044a\u0442 \u043d\u0430 \u0420\u0430\u0434\u043a\u043e \u0420\u0430\u0434\u043a\u043e\u0432. \u0418\u0441\u0442\u043e\u0440\u0438\u044f, \u043f\u0430\u043c\u0435\u0442, \u0438\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0438. \u201e\u0422\u0435\u043e\u0444\u0430\u043d\u00f3\u201c <\/a>
[The Theater of Radko Radkov. History, Memory, Interpretations. Theophano] <\/a>
\/ \u0413\u0430\u043b\u044f \u0421\u0438\u043c\u0435\u043e\u043d\u043e\u0432\u0430-\u041a\u043e\u043d\u0430\u0445 \/ Galia Simeonova-Konach \u2013 \u0441\u0442\u0440.\u00a0231
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\u0414\u0440\u0430\u043c\u0430\u0442\u0430 \u201e\u0410\u043b\u0431\u0435\u043d\u0430\u201c \u043d\u0430 \u0419\u043e\u0432\u043a\u043e\u0432 \u2013 \u043e\u0442 \u0447\u0430\u0440\u043e\u0434\u0435\u0439\u0441\u0442\u0432\u043e\u0442\u043e \u043a\u044a\u043c \u0447\u0443\u0434\u043e\u0434\u0435\u0439\u0441\u0442\u0432\u043e\u0442\u043e <\/a>
[The Drama \u201cAlbena\u201d by Yovkov \u2013 from the Sorcery Toward the Wonderworking] <\/a>
\/ \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u041a\u0438\u0440\u0438\u043b\u043e\u0432 \/ Nikolay Kirilov \u00a0247
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METHODOLOGY \/ \u041c\u0415\u0422\u041e\u0414\u0418\u041a\u0410<\/strong>
\u041f\u043e\u0435\u0442\u044a\u0442 \u043a\u0430\u0442\u043e \u043a\u0440\u0438\u0442\u0438\u043a. \u041e\u0442 \u201e\u041d\u0430 \u041e\u0441\u0442\u0440\u043e\u0432\u0430 \u043d\u0430 \u0431\u043b\u0430\u0436\u0435\u043d\u0438\u0442\u0435\u201c \u043d\u0430 \u041f\u0435\u043d\u0447\u043e \u0421\u043b\u0430\u0432\u0435\u0439\u043a\u043e\u0432 \u0434\u043e \u201e\u041e\u043a\u043e\u043b\u043e \u0435\u0434\u043d\u0430 \u0441\u0442\u0430\u0440\u0430 \u043f\u0435\u0441\u0435\u043d\u201c \u043d\u0430 \u0414\u0438\u043c\u0447\u043e \u0414\u0435\u0431\u0435\u043b\u044f\u043d\u043e\u0432 <\/a>
[The Poet as Critic. From \u201cOn the Isle of the Blessed\u201d of Pencho Slaveykov to \u201cAbout an Old Song\u201d of Dimcho Debelyanov] <\/a>
\/ \u0421\u0432\u0435\u0442\u043e\u0437\u0430\u0440 \u041b\u044e\u0431\u043e\u043c\u0438\u0440\u043e\u0432 \/ Svetozar Lyubomirov\u00a0\u2013 page<\/span>\u00a0259
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\u0420\u0430\u0437\u0432\u0438\u0432\u0430\u043d\u0435 \u043d\u0430 \u0441\u043e\u0446\u0438\u043e\u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0430 \u043a\u043e\u043c\u043f\u0435\u0442\u0435\u043d\u0442\u043d\u043e\u0441\u0442 \u0447\u0440\u0435\u0437 \u0438\u043d\u0442\u0435\u0440\u0430\u043a\u0442\u0438\u0432\u043d\u0438 \u043c\u0435\u0442\u043e\u0434\u0438 \u0432 \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435\u0442\u043e \u043f\u043e \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u0432 V \u043a\u043b\u0430\u0441 <\/a>
[Development of Socio-cultural Competence through Interactive Methods in Bulgarian Language Training (5. Grade)] <\/a>
\/ \u0414\u0435\u0441\u0438\u0441\u043b\u0430\u0432\u0430 \u041d\u0435\u0439\u043a\u043e\u0432\u0430 \/ Desislava Neykova \u2013 page\u00a0270
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TEACHER\u2019S EXPERIENCE \/\u041e\u041f\u0418\u0422\u042a\u0422 \u041d\u0410 \u041f\u0420\u0415\u041f\u041e\u0414\u0410\u0412\u0410\u0422\u0415\u041b\u042f<\/strong>
\u041e\u0442 \u043a\u0443\u043b\u0442\u0430 \u043a\u044a\u043c \u0440\u0430\u0437\u0443\u043c\u0430 \u0438 \u0437\u043d\u0430\u043d\u0438\u0435\u0442\u043e \u043a\u044a\u043c \u0440\u043e\u0431\u0441\u0442\u0432\u043e\u0442\u043e \u043d\u0430 \u0441\u0442\u0440\u0430\u0441\u0442\u0442\u0430 \u0438 \u0447\u0443\u0432\u0441\u0442\u0432\u0430\u0442\u0430 (\u041f\u0440\u043e\u0435\u043a\u0442 \u0437\u0430 \u0443\u0440\u043e\u043a \u0432\u044a\u0440\u0445\u0443 \u0440\u043e\u043c\u0430\u043d\u0430 \u201e\u0421\u0442\u0440\u0430\u0434\u0430\u043d\u0438\u044f\u0442\u0430 \u043d\u0430 \u043c\u043b\u0430\u0434\u0438\u044f \u0412\u0435\u0440\u0442\u0435\u0440\u201c \u043e\u0442 \u0419. \u0412. \u0413\u044c\u043e\u0442\u0435)
[From the Cult of Reason and Knowledge to the Slavery of Passion and Feelings (Lesson Project on \u201cThe Sorrows of Young Werther\u201d by Johann Wolfgang von Goethe)]
\/ \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0418\u0433\u043d\u0430\u0442\u043e\u0432 \/ Vladimir Ignatov\u00a0\u2013 page\u00a0281
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\u041f\u043e\u0440\u0442\u0444\u043e\u043b\u0438\u043e \u043d\u0430 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u0430\u0442\u0430 \u0442\u0432\u043e\u0440\u0431\u0430 \u2013 \u0438\u043d\u0442\u0435\u0440\u0430\u043a\u0442\u0438\u0432\u043d\u0430 \u0442\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u044f \u0437\u0430 \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u043d\u0435 \u043d\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u0438 \u0438 \u0441\u043e\u0446\u0438\u043e\u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0438 \u043a\u043e\u043c\u043f\u0435\u0442\u0435\u043d\u0442\u043d\u043e\u0441\u0442\u0438 \u0432 \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435\u0442\u043e \u043f\u043e \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430
[Portfolio of Literary Work \u2013 Interactive Technology for Development of Literary and Sociocultural Competencies in Bulgarian Language and Literature Training]
\/ \u041a\u043e\u0441\u0442\u0430\u0434\u0438\u043d\u043a\u0430 \u0425\u0440\u0438\u0441\u0442\u043e\u0432\u0430 \/ Kostadinka Hristova\u00a0\u2013 page\u00a0292
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BULGARIAN LANGUAGE AND CULTURE ABROAD \/ \u0411\u042a\u041b\u0413\u0410\u0420\u0421\u041a\u0418 \u0415\u0417\u0418\u041a \u0418 \u041a\u0423\u041b\u0422\u0423\u0420\u0410 \u041f\u041e \u0421\u0412\u0415\u0422\u0410<\/strong>
\u0421\u043b\u043e\u0432\u043e\u0440\u0435\u0434\u043d\u0438\u0442\u0435 \u0440\u0430\u0437\u043b\u0438\u0447\u0438\u044f \u043c\u0435\u0436\u0434\u0443 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u044f \u0438 \u0440\u0443\u0441\u043a\u0438\u044f \u0435\u0437\u0438\u043a \u2013 \u0438\u0437\u0442\u043e\u0447\u043d\u0438\u043a \u043d\u0430 \u0441\u0438\u043d\u0442\u0430\u043a\u0442\u0438\u0447\u043d\u0430 \u0438\u043d\u0442\u0435\u0440\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f <\/a>
[The Differences in Word Order between the Bulgarian and Russian \u2013 Source of Syntactic Interference] <\/a>
\/ \u0415\u043b\u0435\u043d\u0430 \u0425\u0430\u0434\u0436\u0438\u0435\u0432\u0430 \/ Elena Hadjieva \u2013 page\u00a0304
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\u0422\u0440\u0430\u043d\u0441\u0444\u0435\u0440 \u0438 \u0438\u043d\u0442\u0435\u0440\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u043f\u0440\u0438 \u0438\u0437\u0443\u0447\u0430\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u043a\u0430\u0442\u043e \u0447\u0443\u0436\u0434 \u043e\u0442 \u0441\u043b\u0430\u0432\u044f\u043d\u0438 <\/a>
[Transfer and Interference in the nominal Syntagma (on Material of Slavic Languages)] <\/a>
\/ \u0415\u043b\u0435\u043d\u0430 \u041a\u0440\u0435\u0439\u0447\u043e\u0432\u0430 \/ Elena Krejcova \u2013 page\u00a0313
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\u00a0<\/span>
\u0414\u043e\u043a\u043b\u0430\u0434\u0438 \u043e\u0442 \u0444\u043e\u0440\u0443\u043c\u0430 \u201e\u0414\u043d\u0438 \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u044f \u0435\u0437\u0438\u043a \u0438 \u043a\u0443\u043b\u0442\u0443\u0440\u0430\u201c, \u0424\u043e\u0440\u043b\u0438, \u0418\u0442\u0430\u043b\u0438\u044f, 6 \u2013 8 \u0430\u043f\u0440\u0438\u043b
[Reports from the forum \u201eDays of Bulgarian Language and Culture\u201c, Forli, Italy, 6 \u2013 8 April] \u2013 page\u00a0321
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READ IN THE LATEST ISSUES OF \u201cAZ-BUKI\u201c JOURNALS \/ \u0412 \u041d\u041e\u0412\u0418\u0422\u0415 \u0411\u0420\u041e\u0415\u0412\u0415 \u041d\u0410 \u0421\u041f\u0418\u0421\u0410\u041d\u0418\u042f\u0422\u0410 \u041d\u0410 \u0418\u0417\u0414\u0410\u0422\u0415\u041b\u0421\u0422\u0412\u041e \u201e\u0410\u0417-\u0411\u0423\u041a\u0418\u201c \u0427\u0415\u0422\u0415\u0422\u0415<\/strong> \u2013 page\u00a0337<\/span><\/span><\/p>\n

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GUIDE FOR AUTHORS \/ \u0423\u041a\u0410\u0417\u0410\u041d\u0418\u042f \u0417\u0410 \u0410\u0412\u0422\u041e\u0420\u0418\u0422\u0415\u00a0<\/strong>\u2013 page\u00a0339\u00a0<\/span><\/span><\/p>\n

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<\/a>\u0422\u0415\u0410\u0422\u042a\u0420\u042a\u0422 \u041d\u0410 \u0420\u0410\u0414\u041a\u041e \u0420\u0410\u0414\u041a\u041e\u0412. \u0418\u0421\u0422\u041e\u0420\u0418\u042f, \u041f\u0410\u041c\u0415\u0422, \u0418\u041d\u0422\u0415\u0420\u041f\u0420\u0415\u0422\u0410\u0426\u0418\u0418. \u201e\u0422\u0415\u041e\u0424\u0410\u041d\u041e\u201c<\/strong><\/p>\n

Galia Simeonova-Konach
\u0423\u043d\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u201e\u0410\u0434\u0430\u043c \u041c\u0438\u0446\u043a\u0435\u0432\u0438\u0447\u201d, \u041f\u043e\u0437\u043d\u0430\u043d, \u041f\u043e\u043b\u0448\u0430<\/p>\n

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THE THEATER OF RADKO RADKOV. HISTORY, MEMORY, INTERPRETATIONS. THEOPHANO<\/strong><\/p>\n

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Abstract.<\/strong> The article is dedicated to the problems of historical drama, one of the ways of interpreting the past. The study is placed in the context of the sociology of culture and the historical memory of society, with a focus on the transposition and the symbolical representation of the history of Byzantium and the Second Bulgarian Kingdom (1181 \u2013 1396) in literature. The subject of the analysis are the works of the Bulgarian poet and playwright Radko Radkov (1940 \u2013 2009), above all his play Theophano, written in the convention of classical drama in verse and the socalled ritual drama, according to the title of the author, a synthesis of text borrowed from Old Bulgarian Literature, and Byzantine hymnograohy, inspired visually by the images of the Middle Age Miniatures included in Codex Vaticanus Slav II. The historical theme in the work of Radko Radkov is substantially different from the interpretation of the Bulgarian history of other Bulgarian writers of the second half of the 20th Century, by which the author is opposing the ideological constructs of the official authorities during this period. The playwright has found semiotic and stylistic devices that recreate the classical past of the people, the orthodox Christianity and culture in the universal perspective of the Byzantine Commonwealth, and artistically voice his historiosophic views concerning Bulgarian national history and the Byzantine-Bulgarian cultural community. The paper analyses the tribulations of the performance of Theophano, staged in Bulgaria by the French Director Pierre Della Torre, who sees in the poetic world of Radko Radkov \u201cthe monumental force of the masters of French theatre, Racine and Corneille\u201c.<\/p>\n

\u00a0<\/p>\n

Prof. Galia Simeonova-Konach, DSc.
Adam Mickiewicz university in Pozna\u0144 Pozna\u0144, Poland
E-mail: galia.s.konach@gmail<\/p>\n

\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n

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<\/a>\u0414\u0420\u0410\u041c\u0410\u0422\u0410 \u201e\u0410\u041b\u0411\u0415\u041d\u0410\u201c \u041d\u0410 \u0419\u041e\u0412\u041a\u041e\u0412 \u2013 \u041e\u0422 \u0427\u0410\u0420\u041e\u0414\u0415\u0419\u0421\u0422\u0412\u041e\u0422\u041e \u041a\u042a\u041c \u0427\u0423\u0414\u041e\u0414\u0415\u0419\u0421\u0422\u0412\u041e\u0422\u041e<\/strong><\/p>\n

\u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u041a\u0438\u0440\u0438\u043b\u043e\u0432
Institute for Literature\nBulgarian Academy of Sciences \nSofia, Bulgaria<\/p>\n

\u00a0<\/p>\n

Abstract.<\/strong> \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0435 \u043f\u043e\u0441\u0432\u0435\u0442\u0435\u043d\u0430 \u043d\u0430 \u0445\u0440\u0438\u0441\u0442\u0438\u044f\u043d\u0441\u043a\u043e\u0442\u043e \u0438\u0437\u043c\u0435\u0440\u0435\u043d\u0438\u0435 \u043d\u0430 \u0434\u0440\u0430\u043c\u0430\u0442\u0430 \u201e\u0410\u043b\u0431\u0435\u043d\u0430\u201c \u043e\u0442 \u0419\u043e\u0432\u043a\u043e\u0432. \u0420\u0430\u0437\u0433\u043b\u0435\u0434\u0430\u043d\u0438 \u0441\u0430 \u0440\u0430\u0437\u043b\u0438\u0447\u043d\u0438 \u043f\u0440\u043e\u044f\u0432\u0438 \u0432 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0435\u0442\u043e \u043d\u0430 \u0431\u0438\u0431\u043b\u0435\u0439\u0441\u043a\u0438\u044f \u043d\u0430\u0440\u0430\u0442\u0438\u0432, \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0438\u0440\u0430\u043d\u0435\u0442\u043e \u0441\u043f\u0440\u044f\u043c\u043e \u0431\u043e\u0433\u043e\u0441\u043b\u0443\u0436\u0435\u0431\u043d\u043e\u0442\u043e \u0432\u0440\u0435\u043c\u0435\u0447\u0438\u0441\u043b\u0435\u043d\u0438\u0435, \u043a\u0430\u043a\u0442\u043e \u0438 \u0441\u043f\u0435\u0446\u0438\u0444\u0438\u0447\u043d\u0438\u044f\u0442 \u0430\u043a\u0446\u0435\u043d\u0442, \u043a\u043e\u0439\u0442\u043e \u0442\u0432\u043e\u0440\u0431\u0430\u0442\u0430 \u043f\u043e\u0441\u0442\u0430\u0432\u044f \u0432\u044a\u0440\u0445\u0443 \u043e\u043f\u0440\u043e\u0449\u0435\u043d\u0438\u0435\u0442\u043e.
Keywords:<\/em> dramaturgy; Christianity; ethics<\/p>\n

THE DRAMA \u201cALBENA\u201d BY YOVKOV \u2013 FROM THE SORCERY TOWARD THE WONDER-WORKING<\/strong><\/p>\n

Abstract.<\/strong> This article is dedicated to the Christian \u201cdimension\u201d of the drama \u201cAlbena\u201d by Yordan Yovkov. The various expressions of the Biblical narrative, the structure of action in relation to the liturgical circle and the speci\ufb01c accent on the remission are interpreted.<\/p>\n

\u00a0<\/p>\n

Dr. Nikolay Kirilov, Assist. Prof.
Institute for Literature Bulgarian Academy of Sciences
52, Shipchenski prohod Blvd.
So\ufb01a, Bulgaria
E-mail: niki_kirilov@hotmail.com<\/p>\n

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\n

\u00a0<\/p>\n

<\/a>\u041f\u041e\u0415\u0422\u042a\u0422 \u041a\u0410\u0422\u041e \u041a\u0420\u0418\u0422\u0418\u041a. \u041e\u0422 \u201e\u041d\u0410 \u041e\u0421\u0422\u0420\u041e\u0412\u0410 \u041d\u0410 \u0411\u041b\u0410\u0416\u0415\u041d\u0418\u0422\u0415\u201c \u041d\u0410 \u041f\u0415\u041d\u0427\u041e \u0421\u041b\u0410\u0412\u0415\u0419\u041a\u041e\u0412 \u0414\u041e \u201e\u041e\u041a\u041e\u041b\u041e \u0415\u0414\u041d\u0410 \u0421\u0422\u0410\u0420\u0410 \u041f\u0415\u0421\u0415\u041d\u201c \u041d\u0410 \u0414\u0418\u041c\u0427\u041e \u0414\u0415\u0411\u0415\u041b\u042f\u041d\u041e\u0412<\/strong><\/p>\n

\u00a0<\/p>\n

\u0421\u0432\u0435\u0442\u043e\u0437\u0430\u0440 \u041b\u044e\u0431\u043e\u043c\u0438\u0440\u043e\u0432
St. Cyril and St. Methodius University of Veliko Turnovo<\/p>\n

\u00a0<\/p>\n

Abstract.<\/strong> \u0412 \u0441\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0441\u0435 \u043f\u043e\u0441\u0442\u0430\u0432\u044f \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u044a\u0442 \u0437\u0430 \u043c\u044f\u0441\u0442\u043e\u0442\u043e \u043d\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u0430\u0442\u0430 \u043a\u0440\u0438\u0442\u0438\u043a\u0430, \u0438\u0441\u0442\u043e\u0440\u0438\u044f \u0438 \u0442\u0435\u043e\u0440\u0438\u044f \u0432 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0442\u043e \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435. \u0420\u0430\u0437\u0432\u0438\u0442\u0430 \u0435 \u0442\u0435\u0437\u0430\u0442\u0430, \u0447\u0435 \u0442\u0440\u044f\u0431\u0432\u0430 \u0434\u0430 \u0441\u0435 \u0441\u043b\u0435\u0434\u0432\u0430 \u043f\u0440\u0438\u043d\u0446\u0438\u043f\u044a\u0442 \u201e\u043e\u0442 \u0430\u0432\u0442\u043e\u0440\u0430 \u043a\u044a\u043c \u0430\u0432\u0442\u043e\u0440\u0430\u201c, \u0437\u0430 \u0434\u0430 \u043c\u043e\u0436\u0435 \u0434\u0430 \u0441\u0435 \u043e\u0431\u043e\u0441\u043e\u0431\u0438 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u043d\u043e-\u0442\u0435\u043c\u0430\u0442\u0438\u0447\u0435\u043d \u043a\u0440\u044a\u0433: \u0431\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u2013 \u0430\u0432\u0442\u043e\u0440\u043e\u0432\u0438 \u043a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438 \u0441\u044a\u0436\u0434\u0435\u043d\u0438\u044f \u2013 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d \u0442\u0435\u043a\u0441\u0442. \u0417\u0430 \u0446\u0435\u043b\u0442\u0430 \u0435 \u043e\u0441\u043c\u0438\u0441\u043b\u0435\u043d\u043e \u0430\u043d\u0442\u043e\u043b\u043e\u0433\u0438\u0447\u043d\u043e\u0442\u043e \u0438 \u043a\u0440\u0438\u0442\u0438\u0447\u043d\u043e\u0442\u043e \u043c\u0438\u0441\u043b\u0435\u043d\u0435 \u043d\u0430 \u041f\u0435\u043d\u0447\u043e \u0421\u043b\u0430\u0432\u0435\u0439\u043a\u043e\u0432 \u0432 \u201e\u041d\u0430 \u041e\u0441\u0442\u0440\u043e\u0432\u0430 \u043d\u0430 \u0431\u043b\u0430\u0436\u0435\u043d\u0438\u0442\u0435\u201c \u0438 \u0435\u0441\u0435\u0442\u043e \u043d\u0430 \u0414\u0438\u043c\u0447\u043e \u0414\u0435\u0431\u0435\u043b\u044f\u043d\u043e\u0432 \u201e\u041e\u043a\u043e\u043b\u043e \u0435\u0434\u043d\u0430 \u0441\u0442\u0430\u0440\u0430 \u043f\u0435\u0441\u0435\u043d\u201c, \u043f\u043e\u0441\u0442\u0430\u0432\u044f\u0449\u043e \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0430 \u0437\u0430 \u043f\u043e\u0441\u0432\u0435\u0442\u0435\u043d\u043e\u0441\u0442\u0442\u0430 \u043d\u0430 \u0438\u0437\u043a\u0443\u0441\u0442\u0432\u043e\u0442\u043e.
Keywords: anthology; critics; art; literature; self-assessment; Testament; own; foreign; service<\/p>\n

THE POET AS CRITIC. FROM \u2018ON THE ISLE OF THE BLESSED\u2019 OF PENCHO SLAVEYKOV TO \u2018ABOUT AN OLD SONG\u2019 Of DIMCHO DEBELYANOV<\/strong>\u00a0<\/p>\n

\u00a0<\/p>\n

Abstract.<\/strong> In the article is considered the problem for the place of literary criticism, history and theory in literary studies. It\u2019s developed the thesis that we should follow the principle \u2018from author to author\u2019, so it can be differentiated thematic-problematic circle: biography \u2013 critics arguments of the author \u2013 literary text. For this purpose is given a meaning to the anthological and critical thinking of Pencho Slaveykov in \u2018On the Isle of the Blessed\u2019 and in the essay of Dimcho Debelyanov \u2018About an old song\u2019, poses the problem for dedication to the art.<\/p>\n

\u00a0<\/p>\n

Mr. Svetozar Lyubomirov, PhD Student
4, Napredak St.
Nedelino, Bulgaria
\u0415-mail: svetozar_liubomirov@abv.bg<\/p>\n

\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n

\n

\u00a0<\/p>\n

<\/a>\u0420\u0410\u0417\u0412\u0418\u0412\u0410\u041d\u0415 \u041d\u0410 \u0421\u041e\u0426\u0418\u041e\u041a\u0423\u041b\u0422\u0423\u0420\u041d\u0410 \u041a\u041e\u041c\u041f\u0415\u0422\u0415\u041d\u0422\u041d\u041e\u0421\u0422 \u0427\u0420\u0415\u0417 \u0418\u041d\u0422\u0415\u0420\u0410\u041a\u0422\u0418\u0412\u041d\u0418 \u041c\u0415\u0422\u041e\u0414\u0418 \u0412 \u041e\u0411\u0423\u0427\u0415\u041d\u0418\u0415\u0422\u041e \u041f\u041e \u0411\u042a\u041b\u0413\u0410\u0420\u0421\u041a\u0418 \u0415\u0417\u0418\u041a \u0412 V \u041a\u041b\u0410\u0421<\/strong><\/p>\n

\u0414\u0435\u0441\u0438\u0441\u043b\u0430\u0432\u0430 \u041d\u0435\u0439\u043a\u043e\u0432\u0430
Sofia University
32. \u0421\u0423\u0418\u0427\u0415 \u201e\u0421\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438\u201c \u2013 \u0421\u043e\u0444\u0438\u044f<\/p>\n

\u00a0<\/p>\n

Abstract.<\/strong> \u041f\u0440\u0435\u0434\u043b\u0430\u0433\u0430\u043d\u0438\u044f\u0442 \u0442\u0435\u043a\u0441\u0442 \u0440\u0430\u0437\u0433\u043b\u0435\u0436\u0434\u0430 \u0432\u044a\u043f\u0440\u043e\u0441\u0430 \u0432\u044a\u0437\u043c\u043e\u0436\u043d\u043e \u043b\u0438 \u0435 \u0447\u0440\u0435\u0437 \u043f\u0440\u0438\u043b\u0430\u0433\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0438\u043d\u0442\u0435\u0440\u0430\u043a\u0442\u0438\u0432\u043d\u0438 \u043c\u0435\u0442\u043e\u0434\u0438 \u043d\u0430 \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435 \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0441\u043e\u0446\u0438\u043e\u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0430 \u043a\u043e\u043c\u043f\u0435\u0442\u0435\u043d\u043e\u0441\u0442 \u043f\u0440\u0438 \u0443\u0447\u0435\u043d\u0438\u0446\u0438 \u043e\u0442 V \u043a\u043b\u0430\u0441, \u043a\u0430\u0442\u043e \u0433\u0438 \u0432\u043f\u0438\u0441\u0432\u0430 \u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0430 \u043d\u0430 \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435\u0442\u043e \u043f\u043e \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430. \u041e\u043f\u0438\u0441\u0430\u043d \u0435 \u043c\u043e\u0434\u0435\u043b \u043d\u0430 \u0440\u0430\u0431\u043e\u0442\u0430, \u043f\u0440\u0438 \u043a\u043e\u0439\u0442\u043e \u0441\u0435 \u043d\u0430\u0431\u043b\u044e\u0434\u0430\u0432\u0430 \u0443\u0441\u043f\u0435\u0448\u043d\u043e \u0432\u0437\u0430\u0438\u043c\u043e\u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0435 \u043c\u0435\u0436\u0434\u0443 \u0443\u0447\u0430\u0441\u0442\u043d\u0438\u0446\u0438\u0442\u0435 \u0432 \u043a\u043e\u043c\u0443\u043d\u0438\u043a\u0430\u0442\u0438\u0432\u043d\u0438\u044f \u043f\u0440\u043e\u0446\u0435\u0441, \u043a\u0430\u0442\u043e \u0441\u0435 \u043f\u0440\u0438\u043b\u0430\u0433\u0430\u0442 \u0440\u0430\u0437\u043d\u043e\u043e\u0431\u0440\u0430\u0437\u043d\u0438 \u043f\u0435\u0434\u0430\u0433\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0438.
Keywords<\/em>: interactive methods; socio-cultural competence; skills; teamwork; Bulgarian language learning<\/p>\n

\u00a0<\/p>\n

DEVELOPMENT OF SOCIO-CULTURAL COMPETENCE THROUGH INTERACTIVE METHODS IN BULGARIAN LANGUAGE TRAINING (5. GRADE)<\/strong><\/p>\n

\u00a0<\/p>\n

Abstract.<\/strong> The proposed text addresses the question whether it is possible to develop socio-culture competence in students of 5. grade in the context of education in Bulgarian language and literature. In the article a particular work model is described which has proved to be useful in successful interaction between the participants in the communication process by applying a variety of pedagogical practices.<\/p>\n

\u00a0<\/p>\n

Ms. Desislava Neykova, PhD student
So\ufb01a university \u201eSt. Kliment Ohridski\u201c
15, Tsar Osvoboditel Blvd.
So\ufb01a, Bulgaria
E-mail: d_p_neikova@abv.bg<\/p>\n

\u043d\u0430\u0433\u043e\u0440\u0435<\/span><\/a><\/p>\n

\n

<\/a><\/p>\n

<\/a>\u0421\u041b\u041e\u0412\u041e\u0420\u0415\u0414\u041d\u0418\u0422\u0415 \u0420\u0410\u0417\u041b\u0418\u0427\u0418\u042f \u041c\u0415\u0416\u0414\u0423\u00a0\u0411\u042a\u041b\u0413\u0410\u0420\u0421\u041a\u0418\u042f \u0418 \u0420\u0423\u0421\u041a\u0418\u042f \u0415\u0417\u0418\u041a \u2013 \u0418\u0417\u0422\u041e\u0427\u041d\u0418\u041a\u00a0\u041d\u0410 \u0421\u0418\u041d\u0422\u0410\u041a\u0422\u0418\u0427\u041d\u0410 \u0418\u041d\u0422\u0415\u0420\u0424\u0415\u0420\u0415\u041d\u0426\u0418\u042f<\/strong><\/p>\n

\u0415\u043b\u0435\u043d\u0430 \u0425\u0430\u0434\u0436\u0438\u0435\u0432\u0430
Sofia University<\/p>\n

Abstract.<\/strong> \u0421\u043b\u043e\u0432\u043e\u0440\u0435\u0434\u044a\u0442 \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u043e\u0442\u043e \u0438\u0437\u0440\u0435\u0447\u0435\u043d\u0438\u0435 \u0438\u043c\u0430 \u043e\u0431\u0449\u0438 \u043f\u0440\u0438\u043d\u0446\u0438\u043f\u043d\u0438 \u043f\u043e\u043b\u043e\u0436\u0435\u043d\u0438\u044f \u0441 \u0434\u0440\u0443\u0433\u0438\u0442\u0435 \u0441\u043b\u0430\u0432\u044f\u043d\u0441\u043a\u0438 \u0435\u0437\u0438\u0446\u0438, \u043d\u043e \u0441\u0435 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0437\u0438\u0440\u0430 \u0438 \u0441\u044a\u0441 \u0441\u0432\u043e\u0438 \u0441\u043f\u0435\u0446\u0438\u0444\u0438\u0447\u043d\u0438\u00a0\u043e\u0441\u043e\u0431\u0435\u043d\u043e\u0441\u0442\u0438. \u041a\u0430\u0442\u043e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u043d\u0430 \u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438 \u043a\u0440\u0438\u0442\u0435\u0440\u0438\u0438 \u043d\u0430 \u043c\u0438\u0441\u043b\u0435\u043d\u0435\u0442\u043e, \u0441\u043b\u043e\u0432\u043e\u0440\u0435\u0434\u044a\u0442\u00a0\u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0432\u0430 \u0435\u0434\u043d\u0430 \u043e\u0442 \u043d\u0430\u0439-\u0443\u0441\u0442\u043e\u0439\u0447\u0438\u0432\u0438\u0442\u0435 \u0441\u0442\u0440\u0430\u043d\u0438 \u043d\u0430 \u0435\u0437\u0438\u043a\u043e\u0432\u0430\u0442\u0430 \u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0442\u0435\u043b\u043d\u043e\u0441\u0442.\u00a0\u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0440\u0430\u0437\u0433\u043b\u0435\u0436\u0434\u0430 \u043f\u0440\u0438\u0447\u0438\u043d\u0438\u0442\u0435 \u0437\u0430 \u0442\u0440\u0443\u0434\u043d\u043e\u0441\u0442\u0438\u0442\u0435 \u043f\u0440\u0438 \u043e\u0432\u043b\u0430\u0434\u044f\u0432\u0430\u043d\u0435 \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u0442\u0435 \u0441\u043b\u043e\u0432\u043e\u0440\u0435\u0434\u043d\u0438 \u043e\u0441\u043e\u0431\u0435\u043d\u043e\u0441\u0442\u0438 \u043e\u0442 \u0441\u0442\u0440\u0430\u043d\u0430 \u043d\u0430 \u0447\u0443\u0436\u0434\u0435\u043d\u0446\u0438, \u043d\u043e\u0441\u0438\u0442\u0435\u043b\u0438 \u043d\u0430 \u0440\u0443\u0441\u043a\u0438 \u0435\u0437\u0438\u043a.\u00a0\u041f\u043e\u0434\u0447\u0435\u0440\u0442\u0430\u0432\u0430 \u0441\u0435, \u0447\u0435 \u043d\u0435\u0434\u043e\u0431\u0440\u043e\u0442\u043e \u043f\u043e\u0437\u043d\u0430\u0432\u0430\u043d\u0435 \u043d\u0430 \u0447\u0443\u0436\u0434\u0430\u0442\u0430 \u0435\u0437\u0438\u043a\u043e\u0432\u0430 \u0441\u0438\u0441\u0442\u0435\u043c\u0430, \u043e\u0442 \u0435\u0434\u043d\u0430\u00a0\u0441\u0442\u0440\u0430\u043d\u0430, \u0438 \u043d\u0430\u043c\u0435\u0441\u0430\u0442\u0430 \u043d\u0430 \u0440\u043e\u0434\u043d\u043e\u0435\u0437\u0438\u043a\u043e\u0432\u0438\u044f \u043d\u0430\u0432\u0438\u043a, \u043e\u0442 \u0434\u0440\u0443\u0433\u0430 \u0441\u0442\u0440\u0430\u043d\u0430, \u0441\u0430 \u0444\u0430\u043a\u0442\u043e\u0440\u0438\u0442\u0435,\u00a0\u043a\u043e\u0438\u0442\u043e \u043e\u0444\u043e\u0440\u043c\u044f\u0442 \u0442\u043e\u0432\u0430 \u0438\u043d\u0442\u0435\u0440\u0444\u0435\u0440\u0435\u043d\u0442\u043d\u043e \u044f\u0432\u043b\u0435\u043d\u0438\u0435, \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0437\u0438\u0440\u0430\u0449\u043e \u0441\u0435 \u0441\u044a\u0441 \u0437\u043d\u0430\u0447\u0438-
\u0442\u0435\u043b\u043d\u0430 \u0443\u0441\u0442\u043e\u0439\u0447\u0438\u0432\u043e\u0441\u0442 \u0438 \u043f\u043e\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u043d\u043e\u0441\u0442 \u0432 \u0435\u0437\u0438\u043a\u043e\u0432\u0430\u0442\u0430 \u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u043d\u0430 \u043e\u0431\u0443\u0447\u0430\u0432\u0430\u043d\u0438\u0442\u0435.\u00a0\u041f\u0440\u043e\u0446\u0435\u0441\u044a\u0442 \u0441\u0435 \u0443\u0441\u043b\u043e\u0436\u043d\u044f\u0432\u0430 \u043e\u0449\u0435 \u043f\u043e\u0432\u0435\u0447\u0435, \u043a\u043e\u0433\u0430\u0442\u043e \u0438\u0437\u0443\u0447\u0430\u0432\u0430\u043d\u0430\u0442\u0430 \u0447\u0443\u0436\u0434\u0430 \u0435\u0437\u0438\u043a\u043e\u0432\u0430 \u0441\u0438\u0441\u0442\u0435\u043c\u0430 \u0435 \u0441\u0440\u043e\u0434\u043d\u0430 \u0438 \u0437\u043d\u0430\u0447\u0438\u0442\u0435\u043b\u0435\u043d \u0431\u0440\u043e\u0439 \u0435\u0437\u0438\u043a\u043e\u0432\u0438 \u044f\u0432\u043b\u0435\u043d\u0438\u044f \u0438 \u043a\u0430\u0442\u0435\u0433\u043e\u0440\u0438\u0438 \u0441\u044a\u0432\u043f\u0430\u0434\u0430\u0442 \u0432 \u0440\u043e\u0434\u043d\u0438\u044f\u00a0\u0438 \u0447\u0443\u0436\u0434\u0438\u044f \u0435\u0437\u0438\u043a, \u0430 \u043d\u0430 \u0434\u0440\u0443\u0433\u0438 \u043b\u0438\u043f\u0441\u0432\u0430\u0442 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u043d\u0438 \u0441\u044a\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0438\u044f. \u0423\u0441\u0432\u043e\u044f\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0430\u00a0\u0441\u043b\u043e\u0432\u043e\u0440\u0435\u0434\u043d\u0438\u0442\u0435 \u043e\u0441\u043e\u0431\u0435\u043d\u043e\u0441\u0442\u0438 \u043d\u0430 \u0438\u0437\u0443\u0447\u0430\u0432\u0430\u043d\u0438\u044f \u0435\u0437\u0438\u043a \u0435 \u043f\u0440\u0435\u0434\u043f\u043e\u0441\u0442\u0430\u0432\u043a\u0430 \u0437\u0430 \u0438\u0437\u0433\u0440\u0430\u0436\u0434\u0430\u043d\u0435\u0442\u043e\u00a0\u043d\u0430 \u0434\u043e\u0431\u0440\u0430 \u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u0447\u043d\u0430 \u043a\u043e\u043c\u043f\u0435\u0442\u0435\u043d\u0442\u043d\u043e\u0441\u0442, \u0430 \u043e\u0442\u0442\u0430\u043c \u0441\u043b\u0435\u0434\u0432\u0430 \u0438 \u0444\u043e\u0440\u043c\u0438\u0440\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u043a\u043e\u043c\u0443\u043d\u0438\u043a\u0430\u0442\u0438\u0432\u043d\u0430\u0442\u0430 \u0441\u043f\u043e\u0441\u043e\u0431\u043d\u043e\u0441\u0442 \u0443 \u043e\u0431\u0443\u0447\u0430\u0432\u0430\u043d\u0438\u0442\u0435 \u2013 \u043e\u0441\u043d\u043e\u0432\u043d\u0430 \u0446\u0435\u043b \u043d\u0430 \u0447\u0443\u0436\u0434\u043e\u0435\u0437\u0438\u043a\u043e\u0432\u043e\u0442\u043e\u00a0\u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435.
Keywords:<\/em> interference phenomenon; native-language habit; word order\u00a0features; genetically close language system; there are no structural mapping;\u00a0linguistic competence; communication skills; foreign language teaching<\/p>\n

\u00a0<\/p>\n

THE DIFFERENCES IN WORD ORDER BETWEEN\u00a0THE BULGARIAN AND RUSSIAN -SOURCE\u00a0OF SYNTACTIC INTERFERENCE<\/strong><\/p>\n

Abstract.<\/strong>The word order of Bulgarian sentence has common general principles\u00a0with the other Slavic languages, but is also characterized by its specific features.\u00a0Reflecting the logical criteria of thinking the word order is one of the most stable\u00a0features of linguistic reality.\u00a0The article discusses the reasons for the difficulty in mastering the Bulgarian word\u00a0order features by foreigners \u2013 native Russian\u0441. It is emphasized that tha unsufficient\u00a0knowledge of the foreign language system on the one hand, and the intervention of\u00a0native-language habit, on the other hand, are the factors that shape this interference\u00a0phenomenon characterized by significant stability and consistency in the practice\u00a0of language learners. The process is further complicated when learning a foreign\u00a0language system is akin significant number of linguistic phenomena and categories\u00a0overlap in the native and the foreign language, and regarding to the other \u2013 there are
no structural equivalents.\u00a0The learning of word order features of the target language is a prerequisite\u00a0for building a good linguistic competence and thus follows the formation of\u00a0communicative ability in learners, that is the main purpose of foreign language\u00a0learning.<\/p>\n

\u00a0<\/p>\n

Prof. Dr. Elena Hadjieva
Faculty of Slavonic Studies
Sofia University
Sofia, Bulgaria
E-mail: e_hadj@abv.bg<\/p>\n

\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n

\n

<\/a><\/p>\n

<\/a>\u0422\u0420\u0410\u041d\u0421\u0424\u0415\u0420 \u0418 \u0418\u041d\u0422\u0415\u0420\u0424\u0415\u0420\u0415\u041d\u0426\u0418\u042f\u00a0\u041f\u0420\u0418 \u0418\u0417\u0423\u0427\u0410\u0412\u0410\u041d\u0415\u0422\u041e \u041d\u0410 \u0411\u042a\u041b\u0413\u0410\u0420\u0421\u041a\u0418 \u0415\u0417\u0418\u041a\u00a0\u041a\u0410\u0422\u041e \u0427\u0423\u0416\u0414 \u041e\u0422 \u0421\u041b\u0410\u0412\u042f\u041d\u0418<\/strong><\/p>\n

\u00a0<\/p>\n

Elena Krejcova
\u041c\u0430\u0441\u0430\u0440\u0438\u043a\u043e\u0432 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u2013 \u0411\u044a\u0440\u043d\u043e, \u0427\u0435\u0445\u0438\u044f<\/p>\n

\u00a0<\/p>\n

Abstract.<\/strong> \u041d\u0430\u0441\u0442\u043e\u044f\u0449\u043e\u0442\u043e \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0435 \u0432\u044a\u0437\u043d\u0438\u043a\u043d\u0430 \u043a\u0430\u0442\u043e \u0440\u0435\u0437\u0443\u043b\u0442\u0430\u0442 \u043e\u0442 \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u0430 \u043a\u044a\u043c \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0438\u0442\u0435 \u0438 \u0441\u043f\u0435\u0446\u0438\u0444\u0438\u0447\u043d\u0438\u0442\u0435 \u043f\u0440\u043e\u044f\u0432\u0438 \u043d\u0430 \u0438\u043d\u0442\u0435\u0440\u0444\u0435\u0440\u0435\u043d\u0442\u043d\u0438\u0442\u0435 \u044f\u0432\u043b\u0435\u043d\u0438\u044f, \u0441\u0432\u044a\u0440\u0437\u0430\u043d\u0438 \u0441 \u043f\u0440\u043e\u0446\u0435\u0441\u0430 \u043d\u0430 \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435 \u043f\u043e \u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0438 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u043e\u0442 \u0441\u0442\u0440\u0430\u043d\u0430 \u043d\u0430 \u0447\u0443\u0436\u0434\u0435\u0441\u0442\u0440\u0430\u043d\u043d\u0438\u0442\u0435 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u0438 \u0432 \u0427\u0435\u0445\u0438\u044f, \u0438 \u043f\u0440\u043e\u044f\u0432\u044f\u0432\u0430\u0449\u0438 \u0441\u0435 \u0432 \u0442\u0435\u0445\u043d\u0438\u044f \u0440\u0435\u0447\u0435\u0432 \u0440\u0435\u043f\u0435\u0440\u0442\u043e\u0430\u0440. \u0415\u0437\u0438\u043a\u043e\u0432\u0438\u0442\u0435 \u044f\u0432\u043b\u0435\u043d\u0438\u044f, \u0441 \u043a\u043e\u0438\u0442\u043e \u0441\u0435 \u0441\u0440\u0435\u0449\u0430\u043c\u0435 \u043f\u0440\u0438 \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u0435\u0442\u043e \u043f\u043e \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u043a\u0430\u0442\u043e \u0447\u0443\u0436\u0434, \u043d\u0438 \u043d\u0430\u0441\u043e\u0447\u0432\u0430\u0442 \u043d\u0435 \u0441\u0430\u043c\u043e \u043a\u044a\u043c \u043f\u043e\u043b\u0435\u0442\u043e \u043d\u0430 \u043f\u0441\u0438\u0445\u043e\u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u043a\u0430\u0442\u0430, \u043d\u043e \u0438 \u043a\u044a\u043c \u043d\u0435\u043e\u0431\u044f\u0442\u043d\u043e\u0442\u043e \u043f\u043e\u043b\u0435 \u043d\u0430 \u043f\u0440\u0438\u043b\u043e\u0436\u043d\u0430\u0442\u0430 \u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u043a\u0430 \u0438 \u043d\u0430 \u0435\u0437\u0438\u043a\u043e\u0432\u0430\u0442\u0430 \u043f\u0440\u0430\u0433\u043c\u0430\u0442\u0438\u043a\u0430. \u0418\u043c\u0430\u0439\u043a\u0438 \u043f\u0440\u0435\u0434\u0432\u0438\u0434 \u0433\u0435\u043d\u0435\u0442\u0438\u0447\u043d\u0430\u0442\u0430 \u0431\u043b\u0438\u0437\u043e\u0441\u0442 \u043c\u0435\u0436\u0434\u0443 \u0441\u043b\u0430\u0432\u044f\u043d\u0441\u043a\u0438\u0442\u0435 \u0435\u0437\u0438\u0446\u0438 \u0438 \u0441\u043f\u0435\u0446\u0438\u0444\u0438\u0447\u043d\u0438\u0442\u0435 \u0437\u0430\u0442\u0440\u0443\u0434\u043d\u0435\u043d\u0438\u044f \u0432 \u0438\u0437\u0443\u0447\u0430\u0432\u0430\u043d\u0435\u0442\u043e \u0438\u043c, \u0441\u044a\u0441\u0440\u0435\u0434\u043e\u0442\u043e\u0447\u0430\u0432\u0430\u043c\u0435 \u0441\u0432\u043e\u0435\u0442\u043e \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u0432\u044a\u0440\u0445\u0443 \u0435\u0434\u043d\u0430 \u043d\u0435 \u0442\u043e\u043b\u043a\u043e\u0432\u0430 \u0442\u0438\u043f\u0438\u0447\u043d\u0430 \u0435\u0437\u0438\u043a\u043e\u0432\u0430 \u0438\u043d\u0442\u0435\u0440\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f, \u0430 \u0438\u043c\u0435\u043d\u043d\u043e \u043c\u0435\u0436\u0434\u0443 \u0440\u043e\u0434\u0441\u0442\u0432\u0435\u043d\u0438 \u2013 \u0441\u043b\u0430\u0432\u044f\u043d\u0441\u043a\u0438 \u2013 \u0435\u0437\u0438\u0446\u0438, \u043a\u0430\u0442\u043e \u0435\u0434\u0438\u043d\u0438\u044f\u0442 \u043e\u0442 \u0442\u044f\u0445 \u0435 \u043c\u0430\u0439\u0447\u0438\u043d, \u043f\u044a\u0440\u0432\u0438 \u0435\u0437\u0438\u043a. \u0418\u043c\u0435\u043d\u043d\u043e \u043f\u0440\u0438 \u043f\u0440\u0435\u043f\u043e\u0434\u0430\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u043d\u0430 \u0441\u043b\u0430\u0432\u044f\u043d\u0438 \u043e\u0449\u0435 \u043f\u043e-\u0433\u043e\u043b\u044f\u043c\u0430 \u0440\u043e\u043b\u044f \u0438\u043c\u0430\u0442 \u043a\u043e\u043c\u043f\u0430\u0440\u0430\u0442\u0438\u0432\u043d\u0438\u044f\u0442 \u0438 \u043a\u043e\u043d\u0444\u0440\u043e\u043d\u0442\u0430\u0446\u0438\u043e\u043d\u043d\u0438\u044f\u0442 \u0430\u043d\u0430\u043b\u0438\u0437, \u0438 \u0442\u043e \u0441 \u0446\u0435\u043b \u0434\u0430 \u0441\u0435 \u043f\u043e\u0434\u0447\u0435\u0440\u0442\u0430\u044f\u0442 \u0440\u0430\u0437\u043b\u0438\u043a\u0438\u0442\u0435 \u043c\u0435\u0436\u0434\u0443 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u044f \u0438 \u043e\u0441\u0442\u0430\u043d\u0430\u043b\u0438\u0442\u0435 \u0431\u043b\u0438\u0437\u043a\u043e\u0440\u043e\u0434\u0441\u0442\u0432\u0435\u043d\u0438 \u0435\u0437\u0438\u0446\u0438, \u043a\u043e\u0438\u0442\u043e \u043c\u043e\u0433\u0430\u0442 \u0434\u0430 \u0431\u044a\u0434\u0430\u0442 \u043f\u0440\u0435\u0434\u043f\u043e\u0441\u0442\u0430\u0432\u043a\u0430 \u0437\u0430 \u0435\u0432\u0435\u043d\u0442\u0443\u0430\u043b\u043d\u0438\u0442\u0435 \u0433\u0440\u0435\u0448\u043a\u0438, \u0434\u0435\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u0438, \u0432\u044a\u0437\u043d\u0438\u043a\u0432\u0430\u0449\u0438 \u043e\u0442 \u0435\u0437\u0438\u043a\u043e\u0432\u0438\u0442\u0435 \u043a\u043e\u043d\u0442\u0430\u043a\u0442\u0438 \u0432 \u043d\u0430\u0431\u043b\u044e\u0434\u0430\u0432\u0430\u043d\u0430\u0442\u0430 \u043e\u0442 \u043d\u0430\u0441 \u043f\u0441\u0438\u0445\u043e\u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u0447\u043d\u0430 \u0441\u0438\u0442\u0443\u0430\u0446\u0438\u044f, \u043a\u0430\u0442\u043e \u0432 \u043d\u0430\u0441\u0442\u043e\u044f\u0449\u0438\u044f \u0442\u0435\u043a\u0441\u0442 \u043a\u043e\u043d\u0446\u0435\u043d\u0442\u0440\u0438\u0440\u0430\u043c\u0435 \u0441\u0432\u043e\u0435\u0442\u043e \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u0432\u044a\u0440\u0445\u0443 \u0438\u043d\u0442\u0435\u0440\u0444\u0435\u0440\u0435\u043d\u0442\u043d\u0438\u0442\u0435 \u0432\u043b\u0438\u044f\u043d\u0438\u044f \u0432 \u0440\u0430\u043c\u043a\u0438\u0442\u0435 \u043d\u0430 \u043d\u043e\u043c\u0438\u043d\u0430\u043b\u043d\u0430\u0442\u0430 \u0441\u0438\u043d\u0442\u0430\u0433\u043c\u0430. \u0415\u0437\u0438\u043a\u043e\u0432\u0438\u044f\u0442 \u0442\u0440\u0430\u043d\u0441\u0444\u0435\u0440 (\u043f\u043e\u0437\u0438\u0442\u0438\u0432\u0435\u043d \u0438 \u043d\u0435\u0433\u0430\u0442\u0438\u0432\u0435\u043d) \u043f\u0440\u0438 \u0443\u0441\u0432\u043e\u044f\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0430 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\u043d\u0430 \u0442\u043e\u0432\u0430 \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0441\u043d\u043e \u0438 \u043c\u043d\u043e\u0433\u043e\u043f\u043b\u0430\u0441\u0442\u043e\u0432\u043e \u044f\u0432\u043b\u0435\u043d\u0438\u0435.
Keywords:<\/em> language interference; language transfer; Slavonic languages<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

TRANSFER AND INTERFERENCE IN THE NOMINAL\u00a0SYNTAGMA (ON MATERIAL OF SLAVIC LANGUAGES)<\/strong><\/p>\n

\u00a0<\/p>\n

Abstract.<\/strong> The linguistic phenomena we encounter in teaching Bulgarian as a foreign language are focused not only on the field of psycholinguistics, but also to the vast field of applied linguistics and linguistic pragmatics. Having on mind the genetic proximity between Slavic languages and the specific difficulties in studying them, we focus our attention on a not so typical linguistic interference, namely between very close \u2013 Slavic \u2013 languages, one of them is a mother, first language. In the proces of teaching of Bulgarian as a foreign language of Slavs even greater role has the comparative and confrontational analysis, because the aim is to highlight the differences between Bulgarian and other closely related languages that can be a prerequisite for any errors, distortions arising from language contacts observed by us in this specific psycholinguistic situation. The text reflects the problems of tranfer and interference between Czech and Bulgarian in the proces of their study. There are some defenitions of the proces of transfer and interference from psycholinguistical point of view and then language material with examples of the interference in the process of translation.<\/p>\n

\u00a0<\/p>\n

Dr. Elena Krejcova, Assist. Prof.
Masaryk University
Faculty of Arts, Department of Slavonic Studies
1, Arna Nov\u00e1ka St.
60 200 Brno, Czech Republic
E-mail: ekrejcova@phil.muni.cz<\/p>\n

\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n

\n

\u00a0<\/p>","protected":false},"excerpt":{"rendered":"

CONTENTS\/\u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415 LITERATURE SCIENCE \/ \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u041e\u0417\u041d\u0410\u041d\u0418\u0415 \u0422\u0435\u0430\u0442\u044a\u0440\u044a\u0442 \u043d\u0430 \u0420\u0430\u0434\u043a\u043e \u0420\u0430\u0434\u043a\u043e\u0432. \u0418\u0441\u0442\u043e\u0440\u0438\u044f, \u043f\u0430\u043c\u0435\u0442, \u0438\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0438. \u201e\u0422\u0435\u043e\u0444\u0430\u043d\u00f3\u201c [The Theater of Radko Radkov. History, Memory, Interpretations. Theophano] \/ \u0413\u0430\u043b\u044f \u0421\u0438\u043c\u0435\u043e\u043d\u043e\u0432\u0430-\u041a\u043e\u043d\u0430\u0445 \/ Galia Simeonova-Konach \u2013 \u0441\u0442\u0440.\u00a0231 \u0414\u0440\u0430\u043c\u0430\u0442\u0430 \u201e\u0410\u043b\u0431\u0435\u043d\u0430\u201c \u043d\u0430 \u0419\u043e\u0432\u043a\u043e\u0432 \u2013 \u043e\u0442 \u0447\u0430\u0440\u043e\u0434\u0435\u0439\u0441\u0442\u0432\u043e\u0442\u043e \u043a\u044a\u043c \u0447\u0443\u0434\u043e\u0434\u0435\u0439\u0441\u0442\u0432\u043e\u0442\u043e [The Drama \u201cAlbena\u201d by Yovkov \u2013 from the Sorcery Toward the Wonderworking] \/ \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u041a\u0438\u0440\u0438\u043b\u043e\u0432 \/ […]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[]},"categories":[3482],"tags":[],"yoast_head":"\n\u0411\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430, \u043a\u043d\u0438\u0436\u043a\u0430 3, \u0433\u043e\u0434\u0438\u043d\u0430 LIX, 2017 - \u0410\u0437-\u0431\u0443\u043a\u0438<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/newspaper.azbuki.bg\/en\/bulgarian\/bel2017\/3-lix-2017\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0411\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a \u0438 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430, \u043a\u043d\u0438\u0436\u043a\u0430 3, \u0433\u043e\u0434\u0438\u043d\u0430 LIX, 2017 - \u0410\u0437-\u0431\u0443\u043a\u0438\" \/>\n<meta property=\"og:description\" content=\"CONTENTS\/\u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415 LITERATURE SCIENCE \/ \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u041e\u0417\u041d\u0410\u041d\u0418\u0415 \u0422\u0435\u0430\u0442\u044a\u0440\u044a\u0442 \u043d\u0430 \u0420\u0430\u0434\u043a\u043e \u0420\u0430\u0434\u043a\u043e\u0432. \u0418\u0441\u0442\u043e\u0440\u0438\u044f, \u043f\u0430\u043c\u0435\u0442, \u0438\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0438. \u201e\u0422\u0435\u043e\u0444\u0430\u043d\u00f3\u201c [The Theater of Radko Radkov. 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